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SPAIN 1865/02/08 SALAMANCA. CATHEDRAL. TORRES CROSSING
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U994.30.127 SPAIN 1865/02/09 SALAMANCA. CATHEDRAL VIEJO. EAST END
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U994.30.128 SPAIN 1865/02/10 SALAMANCA. CATHEDRAL VIEJO. TOMB
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U994.30.129 SPAIN 1865/02/10 SALAMANCA. CATHEDRAL VIEJO. TOMB
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U994.30.130 SPAIN 1865/02/10 SALAMANCA. CATHEDRAL VIEJO. SOUTH AISLE
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U994.30.131 SPAIN 1865/02/10 SALAMANCA. CATHEDRAL VIEJO. AISLE [?] VAULT
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U994.30.400 SPAIN 1865/02/10 SALAMANCA. TOWER EAST OF CATHEDRAL
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U994.30.447 SPAIN 1865/01/10 SARAGOSSA. EL LONJA. EXCHANGE. A.D. 1551 |
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U994.30.458 SPAIN 1865/02/11 SALAMANCA. SKETCH OF NAVE
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SPAIN 1865/01/11 SARAGOSSA. COURT OF HOUSE IN CALLE [?] S. JIROGA NO. 10
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U994.30.56 SPAIN 1865/01/11 SARAGOSA. WOOD COR[NICE] TO HOUSE Saragosa seems to have been a disappointment to Bayne, as it was to Street before him. Both make disparaging remarks about the city and complain of little good work to see. Street states, "I returned from Huesca to the railway and then to Zaragoza, hoping that, notwithstanding all it had suffered from wars and sieges, something might still be found to reward examination. I have seen no city in Spain which is more imposing in the distance, and yet less interesting on near acquaintance....But whether the French in their sieges destroyed everything, or whether it is that the city is too prosperous to allow old things to stand in the way, it is certainly the fact that but few old buildings do stand, and that none of them are of first-rate interest."* The collection's three drawings in the small format indicate that Bayne found a greater interest in the details of domestic architecture here rather than in religious and civic structures of the city. The carved cornices with their tile roofs can be compared to the cornices of the buildings in Seville and Toledo shown in the photographs. This is a sketch of another cornice to a house in Saragosa. In the lower centre, Bayne notes, "painting accurate [?] on this frieze." In the upper right he includes details of the front and side views which are marked with labels and letters. In the side view, Bayne has added another inscription, "This rafter is on piece a." The number and monogram are in the upper and lower left corners, and the place and date in the lower right. * Street, Gothic Architecture
in Spain, Vol. 2, 164-165. |
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U994.30.57 SPAIN 1865/01/11 SARAGOSA. CORNICE TO HOUSE. NEAR TO TOWER This partially completed sketch shows a more elaborate cornice than that in U994.30.58. In addition to his monogram and number in the lower and upper left corners, Bayne has added the place and date in the lower right corner: "Saragosa. Cor[nice] to House. near to Tower. Jan. 11.65." The upper right corner includes a detail of the section of the cornice. |
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U994.30.58 SPAIN 1865/01/11 SARAGOSA. WOOD CORNICE TO HOUSE. CALLE DE. S. JORGE This sketch has been divided into two parts. The main portion shows the underside of a roof with a carved wood cornice. The tiles of the roof have been sketched in only on the right and part of the left side near the corner. The right side of the drawing shows "plan of soffit" and "Side Elevation of Console." Bayne has included his monogram at the lower left beneath the last curved console and numbered the drawing in the upper left. The location and date are in the upper right where Bayne also notes the address of the house: "Saragosa. Wood Cor[nice] to House. J.11.1825. Calle [?] de S. Jorge [?] No. 10." |
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SPAIN 1865/02/03 SEGOVIA. TOWER OF S. ESTEBAN
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U994.30.108 SPAIN 1865/02/03 SEGOVIA. SKETCH OF WEST END OF CATHEDRAL
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U994.30.109 SPAIN 1865/02/03 SEGOVIA. S. LUINE [?] EAST END
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U994.30.110 SPAIN 1865/02/03 SEGOVIA. WEST PORCH TO S. JUAN'S
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U994.30.455 SPAIN 1865/02/03 SEGOVIA. SAN ESTEBAN [UNTITLED SKETCH ON REVERSE]
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U994.30.111 SPAIN 1865/02/04 SEGOVIA. VERA CRUZ. TRANSEPT
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U994.30.112 SPAIN 1865/02/04 SEGOVIA. CATHEDRAL. NORTH SIDE FROM WEST
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U994.30.113 SPAIN 1865/02/04 SEGOVIA. CATHEDRAL. WEST FACADE
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U994.30.114 SPAIN 1865/02/04 SEGOVIA. ST. MARTIN. ARCADE TO CHURCH
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U994.30.115 SPAIN 1865/02/04 SEGOVIA. ST. MARTIN. WEST DOOR
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